Below you'll find a list of all posts that have been categorized as “Apostrophe Blog Archive”
When I first returned to writing poetry, way back in 2005 and 2006, I took a series of classes through an organization called Writers on the Net. I was incredibly lucky to stumble on an outstanding teacher, Bob Haynes and his courses, Daydreams I and Daydreams II…
My poem, “Lamentation: A Cento,” has been published in Issue #14 of The Poeming Pigeon: A Journal of Poetry and Art. After ten years, this will be the final issue. I wrote this poem as part of a cento-centric project during the first two years of the COVID-19 pandemic
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I am writing by hand now every day. Have been since the middle of August, my mad money spent on postcard stamps. Pick up the pen, find the message that goes on the card I am scrawling for a voter in a state that is not this one, and get to work
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Out the window, Wednesday, there’s still life, flora and fauna, chittering nut hatches, bleating red-tailed squirrels. One of my cats sits at the base of a Doug fir, waiting, hoping, but the odds are against him, just like they are against me, too, in spite of all my pretending that I’ll figure it out, find the answer, we end up the same, dead in the end…
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I have taken many trains across these United States. Many of them have romantic-sounding names—the Coast Starlight, the Empire Builder, the Capitol Limited, the California Zephyr, and the Texas Eagle are the names of a few
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My narrative poem in syllabics, “Old, New, Broken, Blue,” was published in the Traditional Form issue of Blast Furnace, Volume 2, No. 2 in Spring of 2012. The pattern is this: Each stanza has lines bearing five syllables followed by a final line of two beats…
Is it, perhaps, the most famous cursive signature in American history? And, now that I think about it—and given all the other handwritten flourishes that graces the documents created by the so-called founding fathers—why was John Hancock the one who had his moniker celebrated above and beyond all the rest? The history books offer something of an explanation but who knows if it is even true
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The opening poem in my poetry collection, Every Door Recklessly Ajar—“And I Will Tell You a Story”—was recently re-published online in Fall 2024 at Poemeleon: A Literary Journal. It previously appeared in print in the journal, Gold Man Review, out of Salem Oregon.
My yet-unpublished prose poem, “Thresholds of More Oblivious Blossoming,” has received the First Honorable Mention in the Form/Prose Poem Category of the Oregon Poetry Association’s Fall 2024 Contest. The category judge, Rana Tahir, wrote…
In Summer 2018, riverbabble published my poem, “First Line of Defense: A Cento.” Not only does this poem use the cento form, stitching together lines borrowed from other poets into a poem all its own, but it is also an (almost) abecedarian. An abecedarian is a poem in which the first letter of each line or stanza follows sequentially through the alphabet…
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