Below you'll find a list of all posts that have been categorized as “Apostrophe Blog Archive”
The clocks do their foolishness also known as moving one hour ahead tonight. This late winter in the Pacific Northwest has been unseasonably cold; the first daffodil in our garden—opened today—is usually parading its yellow trumpet many weeks earlier than this…
What is a Pushcart Prize and what does it mean to be nominated? According to its website, The Pushcart Prize: Best of the Small Presses series, “published every year since 1976, is the most honored literary project in America – including Highest Honors from the American Academy of Arts and Letters.” Their annual nomination process is pretty straightforward…
This ekphrastic, free-verse poem was inspired by Dianne Kornberg’s photographs of kelp from the University of Washington’s marine algae Herbarium in her exhibit “evidence of its occurrence” at the Elizabeth Leach Gallery, Portland, Oregon, 2005…
I have spent the past few days attempting to fit random-shaped jigsaw pieces into a puzzle. My back is to the television set where my convalescing spouse watches the second season of Stanley Tucci: Searching for Italy for the second time; we originally saw them during the pandemic when they first migrated from CNN (which we don’t get because we don’t have cable) to HBO…
It seems fitting to post this nod to an excellent primer about tyranny today, February 29, 2024, after the clearly compromised majority of our current Supreme Court decided yesterday to hear a treasonous criminal’s plea for immunity from any and all crimes committed when he was the (accidental) President of the United States…
True confession right off the bat: I have not written very many happy poems. But I really like the literary journal, Poemeleon, and when the call came for their upcoming issue with a theme of “Happy Poems” well I searched the archives and dug a few out. Poemeleon: A Journal of Poetry was founded by Cati Porter in December of 2005
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I recently read Poetry Unbound: 50 Poems to Open Your World by Pádraig Ó. Tuama, the host of the podcast of the same name. Tuama introduces each poem, then offers his thoughts on both the art and craft of what the poem and the poet is attempting to do in that particular poem and why. He offers insights on each poem’s use a particular form as well as metaphor, rhythm and repetition, recognizable patterns, and poetic devices.
I am a firm believer in the value of finding a poetry mentor, someone who will encourage and push you to the next necessary steps in finding your voice, in doing the creative work. When I first returned to writing poetry, way back in 2005 and 2006, I took a series of classes through an organization called Writers on the Net. I was incredibly lucky to stumble on an outstanding teacher, Bob Haynes and his courses, Daydreams I and Daydreams II. …
After the shock of the November 2016 presidential election in the United States, things got very real very fast. The following year it often felt like the rat-a-tat of explosions perhaps even rapid gunfire—the cruel and verging-on-fascists nonsense that the administration started to spew. It was hard not to have the edginess of politics creep into the writing of poems
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Qarrtsiluni published my poem, “The Winter I Went to Two Al-Anon Meetings, Realized I Didn’t Have What It Took to Love Your Version of Alcoholic” in their Imprisonment issue back in June 2011.
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